When it comes to new rock n roll, separating the cream from the crap is often the hardest part. There are so many artists out there, all using the same media platforms to try to reach an audience. So many artists have great websites and are versed at self-promotion. Which is all well and good, yet the problem remains that the market gets absolutely flooded with mediocrity. The irony that many of these bands are also regurgitating an old sound doesn’t hold much appeal for older fans such as myself who has seen and heard it all before. Yes I know, young bands aren’t pitching at cynical, mocking old rock dogs like myself, they are aiming at their peers who may not have heard the whole D-A-G guitar chord progression shtick. Which brings me to the subject matter of this post – a gal from Nashville (via NYC) named Carly Jamison. Unlike many other young up and coming artists, Jamison has the talent and ability to craft melodic pop songs draped in originality. It’s almost an embarrassment of riches – she’s that good. There’s some trippy hippy elements to her persona and with her deep, breathy vocal delivery, she reminds me a little of Brett Smiley and Nick Gilder to a lesser extent. Yet that comparison fails to do her music justice. Her songs are upbeat, catchy, with big chorus’ and even bigger melodies.
It’s hard to make musical comparisons, and I really don’t like doing it. But I also know that readers like some kind of reference point. I’ve read reviews that compared Jamison’s sounds to The Pretenders, The Stones, Elvis Presley, Joplin, Bonnie Raitt, Humble Pie, Drive By Truckers, John Fogerty, Roy Orbison, Status Quo, Slade etc. The fact that her sound can’t be pinned down only goes to show how richly diverse her songs are. All I look for are melody, hook and a catchy memorable chorus. She has all that – and an originality that is refreshingly welcome.
She first came to my attention via Dan Baird, who played guitar on Jamison’s 2010 album, ‘Everything Happens For A Reason’. Being a huge Dan Baird fan, anything that Dan lends his name to (including the great Stacie Collins) has to be good. Tracks such as ‘Look Where Its Coming From’ have elements of pure pop, classic early 70’s UK glam, handclaps and melody galore. A second album followed in 2013, called ‘Ungrounded’ and it also gets the Rockbrat thumbs up. Since October last year, there have been three new singles releases by Jamison and all are killer slices of pure hard edged pop. ‘100 Goals’ is a classic slice of hard rockin’ pop and is beyond radio friendly. Killer tune. It features the cream of Nashville’s finest including the way underrated Chris Tench and Mike Webb (whom I saw in Sydney a couple of years back as part of Bobby Keyes’ band). In April this year she dropped another superbly crafted pop tuned called ‘Dynamo’. Pure, unadulterated pop that has me struggling to find superlatives to do it justice. Why aint they paying this on the radio everywhere? The press blurb accurately describes a combination of 80’s inspired guitar riffs, pop melodies, punk rock energy, and poetic lyrics. And then late last month, Carly released another new single called ‘Sneaking Around This Small Town’. Its again heavy on the melody, a little more reflective, but in no uncertain terms showcases the depth of quality song writing that Jamison has in spades. This cat is a way underrated song writer who knows how important melody, chorus and hook are to a song. I’ve been listening to rock n roll for a hell of a long time, since the late 70s in fact, and I’m here to tell you, Carly Jamison has the goods to take her to the top of the heap. She just needs a couple of breaks to go her way. If she keeps putting out quality new singles that surpass each other, it’s only a matter of time before one of the major labels take the bait and give her a shot to see how far she can go. I’m already hip to Carly Jamison, the best kept secret in rock n roll. Get on board! http://www.carlyjamison.com/